Building on the theme of home, Johansson translated this distortion and subversion into the clothes themselves. Basic wardrobe staples—such as jeans, jumpers, and tailored pieces—were deconstructed, manipulated, and reimagined in ways that challenged traditional proportions and design conventions. The result was a playful yet subversive collection that felt like a blend of everyday comfort and surreal exaggeration.
For instance, tailored shapes were enlarged to cartoonish proportions, turning traditional blazers and trousers into overblown, exaggerated silhouettes. These pieces took on a playful, almost childlike quality, as though someone had raided an adult’s closet and donned oversized, ill-fitting garments. The effect was fun, disorienting, and entirely in line with the distorted sense of home Johansson was aiming for.
Jumpers, too, had a haphazard quality, appearing twisted and stretched as though they had been carelessly thrown on after a long night out. This added to the overall feeling of disarray and nonchalance in the collection. The knitted pieces were intentionally distressed, showcasing a moth-bitten texture that gave them an edge of high-fashion deconstruction. The imperfections in these garments highlighted Acne Studios’ ability to take everyday wear and transform it into something deliberately undone, yet still chic.
Denim was another key component of the collection, but not as one might expect. Instead of traditional jeans, Johansson presented warped, wiggly versions that seemed to have been inspired by funhouse mirrors. The distorted shapes added an element of whimsy to the collection, furthering the playful take on domesticity.
Plaid shirts and skirts, iconic symbols of casual home life, were also given the surreal treatment. These garments, resembling picnic blankets or old flannel shirts, were transformed into abstract, reconfigured looks. Johansson’s designs turned these familiar pieces into something new and unexpected, mixing nostalgia with innovation.