Awards season has officially begun, marking one of the most anticipated moments for both cinema and fashion enthusiasts. Following last...
In an awards season increasingly shaped by bold political statements and genre reinvention, One Battle After Another has emerged as...
Safely past the threshold of 2025, the beginning of a new year carries a familiar illusion: that of renewal, momentum,...
Robert Redford’s passing marks the end of an era, but definitely not the end of his influence. Over more than...
Since its 2020 debut, Bridgerton has functioned as both escapist fantasy and cultural barometer, wrapping contemporary conversations about class, gender,...
María Porto habla de arte como quien habla de algo cotidiano, pero esencial. No desde la solemnidad ni desde el...
El arte encara 2026 con una mezcla poco habitual de prudencia y claridad. Ya no hay prisa por anunciar grandes...
Seven hundred and sixty million dollars in fourteen days is not a footnote; it is a correction. Avatar: Fire and...
The announcement didn’t shock anyone paying attention. For months, Craig Mazin and Neil Druckmann openly framed The Last of Us...
The second volume of Stranger Things’ fifth and final season has landed with a strangely divided crowd. Some fans celebrate...
Had she not always resisted being boxed in as a mere “object,” Brigitte Bardot might be described as one of...
On April 6, 2025, audiences said goodbye to Koh Samui as The White Lotus closed its third season with betrayal,...
For nearly two decades, Alexandria Stapleton has occupied a distinctive place in American documentary filmmaking, drawn to stories where private...
triangle-left triangle-right A veces el arte no se entiende.A veces te atraviesa. Antes de que puedas nombrarlo, ya está dentro....
Craves no trabaja con imágenes.Trabaja con carne digital. Su 3D no es decorativo ni futurista en el sentido cómodo del término....
Emily in Paris has always thrived on fantasy, and its fifth season leans into that promise with renewed confidence. Returning...
Jennifer Loveless no compone para llenar espacios. Compone para tensionarlos. Su música no se despliega como un flujo continuo, sino...
Esto no es nostalgia. Es fuerza bruta. Es archivo convertido en arma. El regreso de las Air Jordan 8 “Bugs...
