El regreso de Robbie Williams no llega envuelto en nostalgia ni en la solemnidad de las leyendas que vuelven para...
El éxito de Primavera Sound 2025 no se midió solo en cifras, aunque las tuvo. Se midió en algo más...
Esto no se va a olvidar jamás. Y no hace falta esperar a que ocurra para saberlo. Ya se siente....
January 2025 finds the northern winter tense, as the music world scans for fresh blood. Calling it an industry feels...
Mermaidonmars turns intimacy into method with Spellbook At a cultural moment defined by overexposure, Spellbook arrives as a deliberately restrained gesture. mermaidonmars’...
Hay artistas que atraviesan géneros. Y luego está Jensen Interceptor, cuyo impacto en la electrónica mundial se siente más como una fuerza...
Jennifer Loveless no compone para llenar espacios. Compone para tensionarlos. Su música no se despliega como un flujo continuo, sino...
WHEN U WERE MINE no suena limpio. Suena vivo. Hay discos que nacen en habitaciones insonorizadas, rodeados de pantallas caras...
There are artists who sprint after the moment, and others who seem to walk alongside it. Asake belongs firmly to the second...
Madrid didn’t just dress up last night—it caught fire with an energy rarely seen even in a city famed for its vibrant...
Rosalía has always treated pop like a collision experiment, but with Lux, her fourth studio album, she engineers the impact...
When Ozuna and Beéle team up, sparks aren’t enough — they build a fire.Their new single, “Enemigos,” featuring the ever-visionary...
Lily Allen has never been afraid of telling the truth, but West End Girl is the moment she stops softening...
In her fourth studio album, EUSEXUA Afterglow (2025), British artist FKA twigs delivers a soundscape as daring as it is...
Charli XCX has entered a new era—feral, literary, and burning at the edges. The pop innovator has announced Wuthering Heights,...
Rosalía doesn’t sing anymore — she stages her mind.Her latest visual piece begins as a luminous nightmare: she’s mopping the...
A. G. Cook doesn’t make music. He manufactures dimensions.For him, pop isn’t a sound — it’s a simulation, a sandbox for...
There’s something electric about the way Sam Gellaitry builds a song. It doesn’t unfold — it shifts dimensions. One second you’re...
